To say Macklemore has gotten a fair share of hate over the
last few weeks would be a gross understatement. Hip-hop fans took to every form
of social media to express their disbelief over Macklemore sweeping the rap categories
at the Grammys. Kendrick fans weren’t the only ones attacking Macklemore after
the Grammys. The American Family Association’s Bryan Fischer called Macklemore’s
performance of “Sam Love,” where 34 gay and straight coups were married, an “abomination.”
“…this thing ought to appall you because gay marriage is bad
for children. In fact, same-sex parenting…is a form of child abuse," said
Fischer.
Fischer wasn’t the only conservative who harshly attacked
Macklemore. Houston based Christian rapper Bizzle released “Same love (A response).”
This is where I’m going to drop my usual veil of objectivity. It is the single
most vile and abhorrent song I’ve ever heard.
“It angers you if I compare you to a pedophile, because he's
sick, right, and you're better, how?" He also claims that members of the
LGTBQ community are actively attacking “old ladies.” He also calls being gay a “defect.”
I’m nearly hoping that in the next few days it will be revealed that Bizzle is
a comedian, parodying extremists.
The song itself is simply a reminder that LGTBQ community is
still marginalized in hip-hop and Bizzle joins Lord Jamar and Necro as rappers
that have openly denied homosexuality a place in hip-hop. Of course Bizzle has
taken it a step further by comparing homosexuals to pedophiles, but the thing
that truly angers me is that this song has been promoted on HiphopDx and the
Houston Chronicle. Both sources exclude the more revolting parts of Bizzle’s
song and instead simply present it as a rational and equal response to the
original “Same Love.” Treating this work as anything but hate filled continues to
send the message that homophobia is still a dominating trend in hip-hop. It is
beyond disappointing to see these two major publications promote this song. If anything is going to change in hip-hop, the music world, and everywhere in general we can't let songs like this pass by as acceptable or profitable.
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